神々の山嶺

KAMIGAMI NO ITADAKI

MANGA

STATUS
COMPLETE
VOLUMES
5
RELEASE
May 20, 2003
CHAPTERS
47

DESCRIPTION

With what may be Mallory’s camera found and lost, photographer Fukamachi delves deeper into the life of the mysterious character Bikha Sanp – the “Venomous Snake” – convinced that he is, in reality, the legendary mountaineer Jouji Habu. The more he digs the more he reveals of the lives of both Habu and his constant nemesis Tsuneo Hase as they each struggle against their own limitations and the perceived achievements of the other. It is a tale of obsession to succeed, to be the first – always. But as he penetrates the darkness of these men’s psyches he finds himself being laid bare and bound to the mountain in this raw human drama.

(Source: Potent Mon)

CAST

Jouji Habu
Makoto Fukamachi

CHAPTERS

REVIEWS

Kassenentleerer
100/100
An Ode to Taniguchi and great storytelling.
NOTE: This review was originally written and published by me on MAL on the 11th of February 2017, the day the great Mangaka Taniguchi Jiro died.

“The sky sinks steadily beneath the foot of the mountain, until the first snowflakes begin to fall. The traces of the chamois are fading. I am happy that I am still alive and gaze at my shivering hands. Then I’ll open my fist...” – Jiro Taniguchi.

Today, the 11th of February in the year 2017, is a very sad day indeed. One of the most influential, ingenious writers of mature stories of all time, Jiro Taniguchi, saw his final sunset. And as for today, I can’t help but feel a little bit saddened because his demise leaves a big void in both the Manga industry and quality story-telling overall. It led to me skimming through the final volume of KnI once again, encountering the aforementioned statement in the epilogue, after the actual ending of the Manga. Suddenly, I physically felt myself being lifted out of the sadness I've fallen into by hearing the words of his passing, the same feelings I felt during my initial read. It's still fascinating to me how such simple words can do that to the reader and the person behind it.

This actually shows one of the biggest strengths of Taniguchi once again, a juggler of words who can create subtle poetry through all of his Manga, by a simple and ingenious combination of artwork and powerful dialogues/monologues. And ironically, these words do not only make up a fine closure for each character’s wishes and desires in the mountains, but it also adds a sense of closure to Taniguchi’s life, finally reaching the roof of the world and go even further beyond.

Starting to read Taniguchi’s masterpiece after reading a lot of Manga which are aimed at young adults and older teens is like experiencing a fresh breeze coming straight out of the Manga’s spine, captivating you with a sophisticated and mature story from start to finish. A lot of its quality shows from the subtle, as the conflicting ideals and interactions the characters face during the story are explored continuously. The amazing combination of text, its masterful detail-oriented artwork, and Taniguchi's exact understanding of human traits do the magic. Additionally, seemingly straight-forward and overused methods of elaborating and explaining character motives like a four-chapter long flashback into their pasts are easily forgiven by just how genuine and consonant they are with the main story, never feeling out of place or even a little too long.

As the main subject of the story is alpinism, a lot of readers may be a little deterred by it, since a lot of details and insights of this form of sport aren’t spread widely through society. But as the Manga can expand widely on different topics of alpinism and the procedures during the actual act, it manages to explain every single needed detail to the reader and actually awakened some kind of enthusiasm in me for the sport and what kind of determination it does involve. A huge credit for it has to go to Yumemakura Baku, the original creator of the Japanese novel on which this Manga is based on, and its incredible attention to detail.

Taniguchi is an absolute master when it comes to how to detect the perfect mixture of narration, dialogues, monologues, and artwork. Since there is a lot of text and information to be covered from the original novel, this Manga needs a perfect composition of both text-based and visual storytelling, the huge majority of Mangaka would most probably fail to adapt the original novel's essence by either emphasizing one of the aspects too much. However, finding the correct balance between visuals and the written text was apparently no big challenge for Taniguchi, as the text never distracts from actual happenings from the story, when the artwork tells an even bigger picture than the text does. Crowded places in Japan, the narrow alleys in Kathmandu, and the howling wind on top of the mountain managed to immerse me so deeply, it felt as though I was right there with the characters.

On the other hand, when Taniguchi decides to drop in more information, for example through the means of an actual narrator or goes for expanding dialogues, I’ve not even once encountered a chapter where the art did distract from the written information that gets delivered. The ascents of icy cliffs in winter, as well as the long marches towards the summit, get depicted through a variety of different angles and larger-scale perspectives, while being accompanied by the narrator, describing the thoughts and feelings of the ones ascending in a constant state of flux.

A common problem a lot of stories have with a set-up being as good as KnI’s is that those actually don’t manage to exploit its great foundation and end up being perceived as underwhelming in our memories because of that. However, similar problems will surely not occur during your read-through Taniguchi magnum opus, making it pretty apparent that he has perfected the usage of a steadily increasing arc of suspense in his works and makes use of the perfect 'by the book' timing to lead his story to the grande finale. The manga does feel like a tale of rivalry and ambition written in a very worthwhile piece of literature and follows the 'tried and tested' rules for creating an absorbing and thrilling story step by step, absolutely mastering what it’s trying to achieve with its narrative. The deliberate incorporation of the narrative framework in the beginning, very similar to the ones in Novellas, gets utilized to the fullest during the final pages, creating one of the most cathartic endings I’ve ever experienced so far.

Inner conflicts, pressure and intriguing thought processes the main characters go through the story are unique qualities I've already talked about, but I have yet to touch on the main characters themselves. Fukamachi, our protagonist, is an avid sports photographer, working for an alpine magazine. He finds himself troubled and torn between different goals and relationships to keep up with and a seemingly impossible riddle to solve, haunting both, his consciousness and sub-consciousness for wherever he goes. Over the course of the story, this Manga manages to beautifully show how we not only see Fukamachi being confronted with new acquaintances and challenges over the course of his journey to solve and his discovery of why he exactly values solving this riddle so highly over so many other things in his life, but the author allows us to see and understand the inner-conflicts and questions being raised by Fukamachi himself, developing him throughout in a convenient, relatable and deliberate manner.

Habu Jouji, the second main character and undoubtedly the best one in the whole story, is the highlight of KnI character-wise. His journey to constantly top his opponents, his lack of interest in anything but alpinism and incredible backstory help us to see Habu not only as a character in fiction but to stand right beside us while we’re reading like some kind of guidance. The approach Taniguchi took to illustrate his way of thinking, behavior, desensitization, and inability to grasp the feelings of his acquaintances during his climb of life is remarkable in its own right, painting a perfect picture of Habu through the words of his acquaintances. His characterization is honestly one of the best ones I’ve ever seen in any kind of medium.

Conclusion:

As you’ve already seen in everything I've written up prior to the conclusion, my appraisal of Kamigami no Itadaki almost knows no bounds, but it still just barely didn't get the adjective "flawless", even though it came very, very close. Volume 3 did drop in quality a little bit, especially compared to the following two volumes to come, as it essentially just worked as a setup for what's to come and did get entangled a little bit too much with a subplot halfway through. Habu and Fukamachi, their interactions and mutual influence, are the prominent focus of KnI and provide an introspection almost unrivaled by its complexity and ingenuity.
These minor flaws I found while reading through Kamigami no Itadaki are completely negligible by the sheer amount of greatness this Manga offers in every category. If you’re looking for a mature, poetic and incredibly self-contained story with themes of escapism, self-inflicted pressure, ambition, and self-discovery, KnI might be the raw gem you’ve been looking for in all of your life, as it raises its greatness above the clouds and maybe even further beyond.

I sincerely hope that this review got at least one person to read this wonderful piece of art on this sad day, when one of the greatest storytellers did decease and hopefully this Manga will finally climb as high in the popularity ranks as it truly deserves.

Rest In Peace Taniguchi Jiro.

Story (09/10)
Art (10/10)
Characters (10/10)
Enjoyment (10/10)

Overall (10/10)
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uuarok
100/100
Kamigami no Itadaki, un manga débordant de perfection

J'avancerai en suivant la route de mon regard et si ca ne marche pas...Si vraiment rien de tout ca ne marche...Si vraiment, vraiment, vraiment, il n'y a plus rien à faire...Si vraiment il n'y a plus moyen d'avancer même en mettant toutes mes forces alors j'irais avec le cœur, avec tout mon cœur.

Le sommet des dieux, une œuvre palpitante, transcendante et marquante. L'œuvre de Jirō Taniguchi conte la montagne à travers deux personnages aux destins entremêlés. Au sommet de son art, Jiro Taniguchi, démontre tout au long de l'œuvre son amour pour la nature : la montagne est magnifié à chaque page, présente à chaque instant… Omniprésente même quand elle est visuellement absente. A la fois séduisante, tentatrice mais aussi cruelle et tranchante, elle bouleverse l'esprit de nos personnages mais aussi, de nous, simples lecteurs. Une narration complète, qui suit un fil conducteur bien ficelé avec des techniques intelligibles et pourtant tellement efficaces. Les personnages principaux, bien que peu nombreux proportionnellement à la longueur de l'œuvre, sont pleinement exploités.

Le sommet des dieux se différencie pleinement des autres œuvres, en effet on suit au cours des 5 tomes un récit mature et axés sur le ressenti de chaque personnage… Naviguant entre point de vue, impression personnelle et confrontation perpétuelle, Jirō nous offre des protagonistes complexes et touchants. Le premier Fukamachi, au départ simple photographe à la vie quiète, sans réel objectif, va trouver sur sa route un objet qui le mènera sans doute, sur le chemin de sa vie. Quant à Habu Jouji un personnage qui ne fera pas forcément l’unanimité à cause d’une nature que l’on pourrait percevoir comme égocentrique ou égoïste, ne laissera personne indifférent. Allégorie même de la détermination et du dépassement de soi, il fonde à lui seul le propos de l'œuvre. Son obsession pour la montagne rythme chaque instant de sa vie comme si son cœur logeait là haut, dans les sommets. Habu Jouji est donc un personnage fascinant que l’on suivra tout au long du manga.

Abordons maintenant les dessins.. Ayant lu Ascension avant d’avoir lu le sommet des dieux, je m'attendais à être déçu et l’idée de relire un manga sur l’alpinisme ne m’attirait plus car je considérerais Ascension comme l'œuvre référence dans les mangas d’alpinisme. Or j’ai eu complètement tort, le sommet des dieux aborde la montagne d’une manière différente, la considérant comme un être entier grâce au dessin qui lui offre un souffle de vie. Elle est constamment représentée dans un photoréalisme hallucinant plus qu’impressif et on ressent la générosité qu'à Jiro Taniguchi à les dessiner avec autant de détails et de crédibilité, elle est sur chaque représentation aussi vertigineuse que rassurante et aussi vicieuse que chaleureuse.

Il est incroyable de se rendre compte à quel point l’auteur a su transmettre la difficulté de l’alpinisme en lui-même. Il n’est pas question d’une vision romantique de celui ci mais bien lucide et concrète : ce sentiment pendant la lecture que la mort n’est jamais loin et qu’elle peut décider de frapper à tout moment prouve que “Le sommet des dieux” est un manga débordant de réalisme et ancré dans la véracité historique alliant de nombreux personnages qui ont réellement existé.

Kamigami no Itadaki est, comme je l’ai déjà écrit, un manga frôlant la perfection, détaillant une narration au brin poétique et touchante, elle aligne des atouts de taille et un univers si fermé et pourtant si libre et évasif, la grandeur de la montagne et de ses personnages marque profondément et berce chaque lecteur sur le ton d’une mélodie nostalgique, pleine d’espoir.

REP Taniguchi Jiro
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AxerSakana
100/100
Amid breathtaking Himalayan scenery, a tale of passion unfolds, teetering on the edge of obsession.
Fukamachi, a photographer accompanying Japanese mountaineering expeditions, stumbles upon an old camera in a small Nepalese shop. By pure chance, it turns out this relic might once have belonged to Mallory and Irvine - the British climbers who vanished on Everest in 1924. To this day, no one knows whether they reached the summit before perishing, and the camera could hold the ultimate proof - if only the film inside could be developed. Aware of the camera’s value, Fukamachi begins a personal investigation to trace the person who found it in the mountains. All clues point to the long-lost Japanese solo climber, Habu Jōji. The title _The Summit of the Gods_ could not be more fitting - it’s the kind of peak I’d gladly forget, just to be able to climb it again for the first time. Contrary to what one might expect, the series doesn’t throw us into pure mountaineering from the start. Instead, it serves a generous appetizer: Fukamachi’s investigation into Habu Jōji and the mysterious camera. Clues unfold slowly, intertwined with the breathtaking beauty of the Himalayas. The local Nepalese characters also play a big role, stirring up the course of the investigation in surprising ways. Whatever you do - don’t you dare to speedrun this manga. Every line of dialogue deserves your full attention. Fukamachi isn’t solving a crime, but rather an unsolved riddle from the past - and the story reads like a top-tier mystery novel. The narrative is crafted so that we uncover each new clue alongside Fukamachi, creating a powerful bond between the protagonist and the reader. The meticulous attention to realism is also worth praising: the portrayal of Nepalese culture, high-altitude nature, and mountaineering customs is nothing short of masterful. The second part of the story brings us to the climbs themselves, which feel like a well-earned reward for the reader’s patience. These sequences brim with tension: climbers teetering on the edge between life and death, battling the forces of nature, hallucinations, and their own willpower. It’s a raw, visceral portrayal of passion that borders on obsession, and of the search for meaning in life. It leaves the reader with a spark, an urge to attempt something great themselves, to test and transcend their own limits. Anyone who has read Kokou no Hito will know exactly what I mean, because it’s similar here - but also more realistic, thanks to the author’s style. Mountaineering stories are uniquely suited to such emotional depth - and in Taniguchi’s realistic hands, the result is a summit-worthy manga, deserving of summit-worthy praise. I’m glad it was Jirō Taniguchi who adapted this mountaineering novel into manga form. His realistic depictions of mountain landscapes have always been a highlight in his works - most of which are single-volume stories (K, _Sousakusha_, _Toudo no Tabibito_, etc.). And here we get to experience his love for the mountains stretched beautifully across five volumes! At one point, I asked myself if there was any reason not to give it a perfect 10/10 - but searching for flaws here would only be forcing it. If you’ve never experienced Taniguchi’s artistry before, The _Summit of the Gods_ is the perfect place to start. __Mr. Taniguchi... I believe that the place where you now dwell offers a beautiful view of the mountains.__
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